Northeast Asian History Network

Triangular flame patterns on the ceiling of the antechamber (northern wall)

This is a detailed view of the triangular flame pattern depicted on the parallel supporting stone in the main chamber (northern wall) of Tokhung-ri Tomb. The same flame pattern decoration can be seen on the parallel supporting stones above the eastern, western, and northern walls. Flames symbolize purification and rebirth in Buddhism. Thus, the flame patterns on the ceiling of the tomb can be interpreted as a reflection of the desire to fill the space with the energy of the flame to transform the tomb into a place of purification and rebirth.
Triangular flame patterns are typically depicted above the joist, a symbolic boundary between heaven and earth, and appears in early and mid-Koguryo era murals including Gamshin-chong (Shrine Tomb), Gakjeo-chong (Tomb of the Wrestlers), and Muyong-chong (Tomb of the Dancers). Notably, this flame pattern first appeared as a decorative element in Koguryo tomb murals 460 years before Chinese grotto and tomb murals. This point of interest is regarded as possible evidence of Koguryo's influence on Chinese artistry and culture.